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their extremely helpful software to help you, artists and arts professionals to Get Your Sh*t Together.

Start organizing your work, your statements, resumes and cvs. This software also has templates,

devised by professionals who administer grants and other funding sources to artists, to help you

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You can try it out for free for 30 days, or purchase it at www. gyst-ink.com.  Enter this coupon code

CPNLAAR0212 to get the Los Angeles Art Resource discount!

4035 Eagle Rock Blvd.

4035 Eagle Rock Blvd., Eagle Rock, CA 90041

  • Rental Rate:
    $15 – $22.60 /SF/Year
  • Min. Divisible:
    150 SF
  • Max. Contiguous:
    1,500 SF
  • Property Type:
    Office
  • Property Sub-type:
    Office Building
  • Additional Sub-types:
    Warehouse
    Creative/Loft
    Office-R&D
  • Building Size:
    4,000 SF
  • Building Class:
    B
  • Find Out More…

Last Verified  2/13/2012Listing ID  17478468

7 Spaces Available

Display Rental Rate as Entered

Space 1

  • Space Available:
    150 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Additional Space Types:
    Office Building
    Warehouse
  • Lease Type:
    Modified Gross

Space 2

  • Space Available:
    750 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

Space 3

  • Space Available:
    850 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

Space 4

  • Space Available:
    1,000 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

Space 5

  • Space Available:
    1,500 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

Space 6

  • Space Available:
    900 SF
  • Rental Rate:
    $1,695 /Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

Space 7

  • Space Available:
    500 SF
  • Rental Rate:
    $1.25 /SF/Month
  • Space Type:
    Creative/Loft
  • Lease Type:
    Modified Gross

 

Artak Dovlatyan - (818) 546-1212 Ext: 203

 

STUDIO SPACE IN VAN NUYS

AVAILABLE AT THE END OF FEBRUARY. High ceilings (15 ft.) with a truck-high door. BIG, OPEN WAREHOUSE with a small office that is great for many uses: Artist Studio, Photographer Studio, Industrial uses of all sorts, storage, retail sales, etc. Zoned M-1. Four assigned parking spaces. One block west of Van Nuys Boulevard near the Home Depot Center. No CAM charges. You just pay the rent, your electricity, gas and trash. Water is paid by the landlord. Cooling is by two swamp coolers which are energy efficient compared to air conditioning. CALL Bruce at (818) 383-9871 if you wish to discuss or make an appointment. FLEXIBLE TERMS.
14535 Arminta Street (google map) (yahoo map)

  • Location: 14669 Arminta Street, Unit A, Van Nuys, CA 91402

bruce@blueridgeprops.com

SOUND OR VISUAL ART STUDIO IN GLASSELL PARK AREA

Looking for a band/artist to share our AWESOME CUSTOM DESIGNED Prime Lockout Rehearsal/Recording Studio Space in Glassell Park area. 850 SqFt

Studio includes the following:

Large Professionally Designed Live room with GREAT VIBE

Nice sound-proof vocal booth for recording

Street parking/street-level access

Bathroom

Fridge/microwave

Backyard/smoking area

PA/backline available

Small storage area for equipment

$550 Monthly (secure,flexible,shared situation 2-3 days per week access)

Month-to-month or Daily/Hourly rentals are also available

We are seeking professional,serious,trustworthy and responsible musicians/artists only

Call James at 323 828 5361 for more information or to schedule an appointment

 

$1000 / 1200ft² – CREATIVE SPACE FOR CREATIVE PERSON OR BUSINESS (Wilshire/La Brea)


High-end, established boutique is changing partnerships and looking for an artist/designer/creative person to share commercial space with. Upstairs loft as well as downstairs wall space available along museum row in retail/art district of miracle mile.

Boutique currently has casual wear, as well as the designer’s personal couture, which has been worn by Eva Longoria, Carmen Electra, and featured on “Dancing With the Stars.” Designer is open-minded and would love a partner with a creative outlook with regards to use of the space, and is currently working with an interior designer to integrate new partnership. Some ideas that would fit well in the area are: fashion, jewelery, artist studio space or gallery, lingerie, office, dancewear, salon, etc.
If interested please CALL (323) 935-0468 between 9am-9pm
DO NOT E-MAIL, they will not be answered

***1st picture of wall space will be completely open, currently shows leftover inventory in picture***

$450 / 450ft² – Beautiful Artist Studio/Writer Sublet-March-July (1-5 months) (Spring St at 9th St) (map)


Date: 2012-02-20, 9:23PM PST
Reply to: hw82p-2862422204@hous.craigslist.org [Errors when replying to ads?]


«Im an artist subletting my studio (work only) 450 sq feet, for 1-5 months flex, Available now through July 2012
Good for workspace only (not living) for artist, designer or writer

The studio is an excellent private space located in a great very secure and safe 24h building with a mix of studios, fashion, photography,…with elevator and freight elevator, Its bright, quiet, clean, and ready to move into, Super nice! working table, 3 windows, amazing views, a closet, concrete floor, clean restrooms in every floor,

$450/month email me if interested it will go fast…»

Located in Downtown Los Angeles, 9th and Spring st walk everywhere, bus + subway, plenty of parking.

Spring st at 9th street

Approximately 4,000 SF of Creative Studio with three separate offices and a large open warehouse, high Ceiling, Concrete Floor, Full Bath & Shower, Kitchenette located in the heart of Downtown LA with great FWY access.
Great for any type of filming, production, artist space, design space, art gallery, Set Building, yoga or dance studio, Distribution Warehouse and or related creative use.
Contact Nick Hadim at 310-804-7993 for showing and or more information.
Please feel free to visit our website at www.nickhadim.com for more of our available properties.
Thank you for looking!

16TH (google map) (yahoo map)

  • Location: Alameda @ 16th- DTLA

 

 

 

 

 

ARTIST CALL: 2012 SCULPTURE IN THE RUTH BANCROFT GARDEN, CALL FOR ENTRIES

Deadline: 02-29-2012

The Ruth Bancroft Garden
Walnut Creek, CA

About the Garden: Founded in 1972, The Ruth Bancroft Garden (RBG) is a vibrant example of exceptional garden design. The Garden features an impressive collection of succulents, cacti and other drought tolerant plants and is recognized throughout the world as a leader in dry garden design. The Garden provides a spectacular backdrop for artists to display their sculpture throughout the garden along its broad gravel pathways. 2012 is our year-long 40th Anniversary Celebration and we have raised the profile of our Sculpture In The Garden event.

About the Exhibit: Now in its 18th year, Sculpture In The Garden is a month-long exhibit and fundraiser for The Ruth Bancroft Garden. Nearly 1,000 visitors attended the show last year. 2012 is a juried show and the jury will award $1,000 for Best-in-Show. The show will include the work of over 50 California and Western U.S. sculptors. Each selected artist may be invited to display up to two pieces during the month-long event.

Location: The Garden is located two miles east from downtown Walnut Creek at 1552 Bancroft Road, Walnut Creek, California 94598.

Eligibility: Open to all sculptors who apply to show and sell free-standing sculptures of all media that are appropriate for outdoor garden weather conditions. Be aware that there will be some exposure to irrigation sprinklers and artwork may occasionally get wet. Hanging and Wall pieces, and works requiring electricity will not be considered.

Selection Committee and Jury: Phil Linhares, retired Curator, Oakland Museum of California; Clayton Thiel, Artist and Art Professor; and Suzanne Tan, Director, Berkeley Art Center. Their decisions are final.

Sales Information: This exhibition is a fundraiser for the garden. Artists will receive 60% of the sale price, so this deduction should be factored in to the listed price. Last year’s gross art sales were $44,000. Total art sales goal for this year is $75,000. There are no restrictions on pricing.

Marketing: Diablo Magazine, Print Sponsor; ABC Channel 7 News , Media Sponsor. Additional sponsors will be added in January 2012.

Preview Party & Opening Weekend: The month-long event begins with a Preview Party on Friday, June 15 from 5:30 – 8:00 p.m. featuring live music, food and wine. This is the ideal time to meet our major art buyers and to make early sales. Artists will receive one free ticket and may purchase one half price ticket for the Preview Party. Additional full-price tickets are available for purchase through the RBG website or through The Garden Office. The Opening Weekend continues on Saturday – Sunday, June 16 – 17 from 10 a.m. – 4 p.m. Artists are encouraged to be present during the Opening Weekend when the majority of sales occur.

Contact: Ry Southard
email: sculpture@ruthbancroftgarden.org
Website: www.ruthbancroftgarden.org

ARTIST CALL: THROUGH A LENS: VIBRANT! 2012 KELLICUTT INTERNATIONAL JURIED PHOTO SHOW

Deadline: 02-29-2012

Coastal Arts League
Half Moon Bay, CA

Jurors:
Scott Atkinson – Landscape photographer and Sierra Club Calendar Editor
Michael Collopy – Preeminent Portrait photographer
Kate Jordahl – Professor of Photography and Digital Imaging, Foothill College

First Prize: $2,000 (Over $3,500 in total prizes) (prizes in US dollars)

Exhibition: July 2012

Eligibility: Open to all photographers internationally using any photographic style

About this year’s theme:
Vibrant and vibrate have the same latin root word: “vibrare” meaning to move rapidly and rhythmically to and fro. While vibrate means virtually the same thing in English, vibrant has additional connotations as it applies to brightness of light or color, or as in how liveliness or energetic is the given subject. “Through a Lens: Vibrant!” gives the photographer several options. Vibrant could apply to a light or hue in the composition, or it could apply to the subject, as to a person or in a street. It could even be stretched to apply to the process – check out the vibrance adjustment layer in photoshop. Which definition of “Vibrant!” will you choose?

More show history:
http://www.coastalartsleague.com/kellicutt/AboutKellicuttShow.html

See last year’s show Through A Lens: Inspiration or Desperation
http://www.coastalartsleague.com/kellicutt/2011

Contact: Jeff Klagenberg
email: jeff@kellicutt.org
Website: http://www.coastalartsleague.com/photoshow/

ARTIST CALL: THROUGH A LENS: VIBRANT! 2012 KELLICUTT INTERNATIONAL JURIED PHOTO SHOW

Deadline: 02-29-2012

Coastal Arts League
Half Moon Bay, CA

Jurors:
Scott Atkinson – Landscape photographer and Sierra Club Calendar Editor
Michael Collopy – Preeminent Portrait photographer
Kate Jordahl – Professor of Photography and Digital Imaging, Foothill College

First Prize: $2,000 (Over $3,500 in total prizes) (prizes in US dollars)

Exhibition: July 2012

Eligibility: Open to all photographers internationally using any photographic style

About this year’s theme:
Vibrant and vibrate have the same latin root word: “vibrare” meaning to move rapidly and rhythmically to and fro. While vibrate means virtually the same thing in English, vibrant has additional connotations as it applies to brightness of light or color, or as in how liveliness or energetic is the given subject. “Through a Lens: Vibrant!” gives the photographer several options. Vibrant could apply to a light or hue in the composition, or it could apply to the subject, as to a person or in a street. It could even be stretched to apply to the process – check out the vibrance adjustment layer in photoshop. Which definition of “Vibrant!” will you choose?

More show history:
http://www.coastalartsleague.com/kellicutt/AboutKellicuttShow.html

See last year’s show Through A Lens: Inspiration or Desperation
http://www.coastalartsleague.com/kellicutt/2011

Contact: Jeff Klagenberg
email: jeff@kellicutt.org
Website: http://www.coastalartsleague.com/photoshow/

The Hannah Arendt Prize

The MA in Critical Theory and Creative Research Program
www.pnca.edu/programs/mfa/c/criticaltheory

Application deadline: Thursday, March 15, 2012

Theme: The Visible, the Invisible, and the Indivisible
Cash prize: 2,000 USD
Winner announced by Sunday, April 15, 2012 

The Hannah Arendt Prize in Critical Theory and Creative Research is an annual prize competition for anyone interested in the juncture of art and creative research and in the principles at the heart of the arts and humanities, including sense-based intelligence; the reality of singular, nonrepeatable phenomena; ethical vision; and consilience between inner and outer, nature and reason, thought and experience, subject and object, self and world.

Application for the prize is open to the general public. Download the PDF application below and email the completed application and the essay (in a .doc or .pdf format) to ctcrprize@pnca.edu

Explication of theme: Whether rice infused with human DNA, new forms of warfare, fully playable nanoguitars, bots traversing blood streams, or transistors the size of viruses, the major developments of the 21st century are largely invisible and, as such, resistant to critique and intervention—what we call politics as a system of challenge, contestation, and negotiation. How do we force invisible processes into visibility, and what do we do with them once they appear at this threshold? Conversely, what are the means by which the visible might be made to disappear? Are these the right questions?

Along with Anne Marie Oliver, founding Co-Chair, MA in Critical Theory and Creative Research, Pacific Northwest College of Art, and Barry Sanders, founding Co-Chair, MA in Critical Theory and Creative Research, Pacific Northwest College of Art, the judges for 2012 include:

Keith Gessen, Founding Editor, n+1

Lewis Hyde, Richard L. Thomas Professor of Creative Writing, Kenyon College
Atta Kim, Photographer
Geoffrey Mann, Designer and Lecturer in Product Design and Digital Consultant, Gray’s School of Art, Robert Gordon University, Aberdeen, Scotland
W.J.T. Mitchell, Gaylord Donnelley Distinguished Service Professor of English and Art History, The University of Chicago, and Editor, Critical Inquiry
Sina Najafi, Editor-in-Chief, Cabinet: A Quarterly of Art and Culture
Jacques Rancière, Professor of Philosophy, The University of Paris, St. Denis (Emeritus), and Professor of Philosophy, Europäische Universität für Interdisziplinäre Studien/EGS

About the MA in Critical Theory and Creative Research

The MA in Critical Theory and Creative Research (CT+CR), the first of its kind in the U.S., is an accelerated, 45-credit, seminar-based program (one year + summer intensive) that prepares students for opportunities at the intersection of art, theory, and research.  Located in the metropolitan heart of the Pacific Northwest, a center of creative risk-taking and social experimentation, the program combines the study of critical theory as a mode of socio-political critique and creative research as a process-driven form of inquiry, pushing both theory and research in new directions within the context of a 21st-century art school. The program is devoted to people and ideas and to a rethinking of the present and future of cultural production; of arts-based research and research-based arts; of curatorial practice, documentary, and the Archive; and of social and political reconfiguration in relation to major sites of contemporary contestation.  See additional information atwww.pnca.edu/programs/mfa/c/criticaltheory. Founding Co-chairs: Anne Marie Oliver and Barry Sanders.

About PNCA

Founded in 1909 and located in an award-winning campus in the heart of Portland, Oregon, PNCA is one of a handful of West Coast institutions accredited by the National Association of Schools of Art and Design offering BFA and MFA degrees.  PNCA offers five Master’s programs—the joint Master of Fine Arts in Applied Craft and Design with Oregon College of Art and Craft, the Master of Fine Arts in Collaborative Design, the Master of Fine Arts in Visual Studies, the Low-Residency Master of Fine Arts in Visual Studies, and the Master of Arts in Critical Theory and Creative Research. These graduate programs are part of a growing series of innovative programs of the Ford Institute for Visual Education (FIVE).  FIVE’s purpose is to establish within PNCA innovative advanced programs, exhibitions, symposia, outreach activities, and artist residencies.  Through FIVE, PNCA works to establish collaborative relationships between students, international artists, and the region’s art, design and business communities and to extend the institution’s intellectual resource platform.  Additional information is available at www.pnca.edu.

GRANT OPPORTUNITY: GRANTS FOR GOOD FROM GETTY IMAGES

Deadline: 03-01-2012

Getty proudly supports photographers and communications professionals who use imagery to promote positive change in our world. To that end, the company has launched their Grants for Good.

Nonprofits need imagery to tell their stories effectively, which is why our Grants for Good provide two grants of $15,000 annually, to cover photographer, filmmaker and agency costs as they create compelling new imagery for the nonprofit of their choice.

Grants recipients may use the entire award to offset shoot expenses, or choose to donate all or part of it directly to their charity and contribute their own time and resources. The photographer and the nonprofit as well as the communications agency involved will be showcased to the media and to Getty customers.

Website: imagery.gettyimages.com
Grant link: http://imagery.gettyimages.com/getty_images_grants/overview.aspx

OPEN CLASSROOM GRANT

OPEN CLASSROOM (APRIL 15, 2012 DEADLINE)

Grant Type: Open Classroom

Deadline: 04/15/2012

Three grants of $5000 each will be available for projects taking place in Fall 2012, Winter 2013, or Spring 2013

UCIRA expects that the applicant’s home department will undertake the administrative and clerical work needed to keep the projects running smoothly. UCIRA will assist with intercampus connections and publicity when applicable.   Selection criteria include originality, significance, innovative potential, interdisciplinary scope, and cogency of project design.

Of particular interest are projects that do some of the following:
• Design, test, and implement innovative curricular initiatives.
• Recognize critical thinking as the source and opening of the art work and not merely the place of a post-mortem evaluation, appreciation, or interpretation of the completed work.
• Promote “action research” and “research-in-action” models of collaborative interdisciplinary arts practice capable of working transitively in and on real-world settings outside conventional studio, gallery, and performance contexts.

Eligibility: Applicants must be UC faculty, staff or students whose research and teaching interests include visual art, digital media, music, dance, drama or film and video. Projects generated by students, staff and part-time faculty must have a full-time faculty sponsor.

Online Application Will Include:
(1) a fully completed summary sheet.
(2) a c.v. for each of the lead applicant(s)
(3) a host venue agreement form if resources beyond normal teaching and lecture spaces are required.
(4) a syllabus for the proposed course (we understand that the course may not yet have received academic senate approval; please be sure to indicate if the course is already approved by your campus or if it will be presented for approval.)
(5) A letter of support from the department chair/dean
(6) If the project features a crucial collaborative component with another department or campus, please submit a supporting letter(s) from key collaborators.
(7) A detailed description of proposed activities (1-2 pages single-spaced), including: i. a letter outlining in detail the proposed activities the class will engage in and the projected outcomes of the course. ii. a complete budget incorporating equipment, supplies, and any travel, accommodation or honorarium that may be associated with the project. In-kind donations and matching funds are suggested, but not required.

APPLICATIONS DUE AT 12MIDNIGHT ON DEADLINE DATE!

For more information contact:
UCIRA
6046 HSSB
University of California
Santa Barbara CA 93106-7115
Phone: (805) 893-7799
Fax: (895) 893-4336
Email: hunruh@ucira.ucsb.edu

UNDERGRADUATE ACTION RESEARCH (APRIL 15, 2012 DEADLINE)

Grant Type: Undergraduate Action Research

Deadline: 04/15/2012

The University of California Institute for Research in the Arts (UCIRA) is now accepting applications for our undergraduate Action Research grants. These grants are aimed at supporting arts and cultural projects with the capacity to have a significant impact on campus/community life. Projects may include, but are not limited to: exhibitions, performances, concerts, guest-artist visits, site-specific art, workshops, festivals and publications that foster innovation and campus engagement through the arts.

The Undergraduate Action Research awards, which range from $500-$2000, support student-led arts initiatives. Funds are available for any currently enrolled UC students or student group on a competitive basis.

Deadlines:
April 15th, 2012 for projects taking place in Fall 2012 or Winter 2013 (APPLICATIONS DUE AT 12MIDNIGHT ON DEADLINE DATE!)

All proposals must: 
•Demonstrate art’s power to enhance understanding, build communities, and transform lives
•Employ peer-to-peer leadership and expertise to promote undergraduate student learning through the arts In Addition, proposals should meet one or more of the following criteria:
•Expose students to innovative and experimental art forms
•Facilitate new ways of thinking about how the University can more effectively and imaginatively engage its students and their attendant communities
•Facilitate collaborative work with diverse communities
•Have a significant impact on student life and learning at the University of California
•Use the arts as a means of addressing challenging topics in the arts

Funding Process: You must have an Office of Student Life trustee account or equivalent means of receiving the funds at your campus (note: each campus uses a different name for these accounts – check with your home department for details.) In order to do this you may be required to register as an official student activity group, or obtain permission through your department to receive the funds there. If you are awarded funding, we will send a record of the transfer to OSL or your departmental administrator, through whom you will be able to access your funds.

About the Action Research Initiative: The UCIRA Action Research program awards are intended to support expanded praxis/participation-oriented proposals in which UC faculty and/or students partner as co-researchers and co-learners with representatives from a broad range of off-campus communities, organizations and agencies. Project proposals should be designed to develop and foster sustained relationships between academic and non-academic sectors and to encourage participants to work on mutually defined problems and projects situated within a real world context.

SOME HELPFUL HINTS ON PREPARING AN APPLICATION

NARRATIVE DESCRIPTION
A narrative description is a clear statement and discussion of the goals and objectives of the intended project and addresses the GENERAL REVIEW CRITERIA listed. It outlines the project plan in sufficient detail to convey a clear sense of its organization, names the key people, campuses, groups, and facilities involved and indicates if commitments have been made to the project. It also indicates if portions of the event are to be funded from other sources and lists the proposed dates for the activities described.

PROJECT BUDGET
The proposed budget details the project expenses the applicant is proposing that the UCIRA cover.
A project budget states the specific dollar amount being requested from the UCIRA. It is well researched and detailed and lists the number and identity of the participants to be funded. It also lists any sources of additional, matching, or “in kind” funding that have been secured for the project.

Project expenses that UCIRA will fund:
Travel Expenses: UCIRA funds travel expenses incurred by UC artists to participate in UCIRA projects. UC Artists are defined as full-time, part-time, and emeritus arts faculty; full-time staff; and both graduate and undergraduate students and alumni.
Travel expenses include:
- Transportation
- Lodging
- Per Diem
Production Costs
Interpretive Events
Publicity
Documentation

Other expenses: UCIRA is committed to funding new and innovative projects. Because of this, some projects may require funding for expenses that do not fit easily in the categories listed. UCIRA will consider funding these costs on an ad hoc basis. We strongly recommend that applicants contact the UCIRA office before submitting a budget request that includes significant expenses that fall in to the “other expenses” category.

Project expenses that UCIRA will not fund:
- Travel expenses for non-UC artists.
- Honoraria for students
- Publications or documentation costs unrelated to the specific project proposed
- Tuition, entry fees, or registration fees
- Non-travel related living expenses
- Equipment purchase
- Building construction or improvement

HOST VENUE FORM
If your project depends upon a specific location you must submit a Host Venue Form with your application certifying that you have permission to use the facility.

LETTER OF RECOMMENDATION
Obtain a letter of support from a UC faculty or staff member familiar with you, your group or your project. Be sure to give your letter writer plenty of time to complete the letter of support and as much information about your project as possible so that they are able to speak to your ability to carry out the project, as well as its potential impact on your campus and/or in your community. Your letter writer may also serve in an advisory capacity to the project and may indicate his or her willingness to do so in the letter.

ADMINISTRATIVE PROCEDURES
Project Report:
The student project director (i.e. the main applicant) must submit a brief report (1-2 pages) to UCIRA on how the project was received, how many attended, the impact on the campus community, reviews, and other relevant information. This report should be appropriate for publication as an item in UCIRA promotional material. Please include photographs or other visuals that can be duplicated. Electronic submission is encouraged.

FAQs about Undergraduate Action Research Grants
Do you provide funding for food or beverages?
Yes. You may request up to $100 of funding for food and/or beverages associated with your event if it is appropriate. No alcohol may be purchased with UCIRA funds.

Do you provide retroactive funding?
No, undergraduate Action Research grants are only for upcoming projects. The date of the event must occur after the given notification date to be considered for funding.

What if my group donates some of its proceeds to charity, can we still apply for an award?
Yes, you can. If your event will generate income, please indicate expected revenues on your budget and to whom you plan to donate them. Your home campus may have special regulations in place governing such disbursement of funds. You must check with your home campus to ensure you are able to do so.

How much money can I get for my student project/group?
The maximum amount of an undergraduate Action Research grant is $2,000.

What can I do to improve my application?

1. Write it as a Word document first. Have other people in your student group (or your mom, or your roommate) proofread it. Ask them if they understand what you’ve written and if they would award you a grant based on the application.
2. Write it ahead of time and send it in to us – we’re always happy to look over potential applications and make suggestions for improvement. You can also call us at 805-893-7799 or email info@ucira.ucsb.edu with questions.
3. Look at the Sample Application on our website.

Will my application be saved online?
Yes, although we still recommend that you save a copy of your application as a Word document so that you can reference it easily in the future.

How will I know if my application has been granted funding?
Whether or not your application has been awarded funding, you will be notified by e-mail on or before the appropriate notification date.

What do I have to do if my group receives an undergraduate Action Research grant?
You must use the UCIRA logo in all printed and web material (flyers, posters, programs, websites etc.) related to your funded event. You are also required to complete the feedback form well as solicit feedback from activity participants if you can. You are also responsible for informing us of any major changes in your planned activity (i.e. change of date, time, venue, name).

Can make an appeal if my group doesn’t receive an undergraduate Action Research grant?
Sorry, the decision of the Student committee is final. We cannot consider appeals for funding but you are welcome to apply again in the next round of applications with a revised application.

For more information contact:
UCIRA
6046 HSSB
University of California
Santa Barbara CA 93106-7115
Phone: (805) 893-7799
Fax: (895) 893-4336
Email: hunruh@ucira.ucsb.edu

 

UNDERGRADUATE ACTION RESEARCH (APRIL 15, 2012 DEADLINE)

Grant Type: Undergraduate Action Research

Deadline: 04/15/2012

The University of California Institute for Research in the Arts (UCIRA) is now accepting applications for our undergraduate Action Research grants. These grants are aimed at supporting arts and cultural projects with the capacity to have a significant impact on campus/community life. Projects may include, but are not limited to: exhibitions, performances, concerts, guest-artist visits, site-specific art, workshops, festivals and publications that foster innovation and campus engagement through the arts.

The Undergraduate Action Research awards, which range from $500-$2000, support student-led arts initiatives. Funds are available for any currently enrolled UC students or student group on a competitive basis.

Deadlines:
April 15th, 2012 for projects taking place in Fall 2012 or Winter 2013 (APPLICATIONS DUE AT 12MIDNIGHT ON DEADLINE DATE!)

All proposals must: 
•Demonstrate art’s power to enhance understanding, build communities, and transform lives
•Employ peer-to-peer leadership and expertise to promote undergraduate student learning through the arts In Addition, proposals should meet one or more of the following criteria:
•Expose students to innovative and experimental art forms
•Facilitate new ways of thinking about how the University can more effectively and imaginatively engage its students and their attendant communities
•Facilitate collaborative work with diverse communities
•Have a significant impact on student life and learning at the University of California
•Use the arts as a means of addressing challenging topics in the arts

Funding Process: You must have an Office of Student Life trustee account or equivalent means of receiving the funds at your campus (note: each campus uses a different name for these accounts – check with your home department for details.) In order to do this you may be required to register as an official student activity group, or obtain permission through your department to receive the funds there. If you are awarded funding, we will send a record of the transfer to OSL or your departmental administrator, through whom you will be able to access your funds.

About the Action Research Initiative: The UCIRA Action Research program awards are intended to support expanded praxis/participation-oriented proposals in which UC faculty and/or students partner as co-researchers and co-learners with representatives from a broad range of off-campus communities, organizations and agencies. Project proposals should be designed to develop and foster sustained relationships between academic and non-academic sectors and to encourage participants to work on mutually defined problems and projects situated within a real world context.

SOME HELPFUL HINTS ON PREPARING AN APPLICATION

NARRATIVE DESCRIPTION
A narrative description is a clear statement and discussion of the goals and objectives of the intended project and addresses the GENERAL REVIEW CRITERIA listed. It outlines the project plan in sufficient detail to convey a clear sense of its organization, names the key people, campuses, groups, and facilities involved and indicates if commitments have been made to the project. It also indicates if portions of the event are to be funded from other sources and lists the proposed dates for the activities described.

PROJECT BUDGET
The proposed budget details the project expenses the applicant is proposing that the UCIRA cover.
A project budget states the specific dollar amount being requested from the UCIRA. It is well researched and detailed and lists the number and identity of the participants to be funded. It also lists any sources of additional, matching, or “in kind” funding that have been secured for the project.

Project expenses that UCIRA will fund:
Travel Expenses: UCIRA funds travel expenses incurred by UC artists to participate in UCIRA projects. UC Artists are defined as full-time, part-time, and emeritus arts faculty; full-time staff; and both graduate and undergraduate students and alumni.
Travel expenses include:
- Transportation
- Lodging
- Per Diem
Production Costs
Interpretive Events
Publicity
Documentation

Other expenses: UCIRA is committed to funding new and innovative projects. Because of this, some projects may require funding for expenses that do not fit easily in the categories listed. UCIRA will consider funding these costs on an ad hoc basis. We strongly recommend that applicants contact the UCIRA office before submitting a budget request that includes significant expenses that fall in to the “other expenses” category.

Project expenses that UCIRA will not fund:
- Travel expenses for non-UC artists.
- Honoraria for students
- Publications or documentation costs unrelated to the specific project proposed
- Tuition, entry fees, or registration fees
- Non-travel related living expenses
- Equipment purchase
- Building construction or improvement

HOST VENUE FORM
If your project depends upon a specific location you must submit a Host Venue Form with your application certifying that you have permission to use the facility.

LETTER OF RECOMMENDATION
Obtain a letter of support from a UC faculty or staff member familiar with you, your group or your project. Be sure to give your letter writer plenty of time to complete the letter of support and as much information about your project as possible so that they are able to speak to your ability to carry out the project, as well as its potential impact on your campus and/or in your community. Your letter writer may also serve in an advisory capacity to the project and may indicate his or her willingness to do so in the letter.

ADMINISTRATIVE PROCEDURES
Project Report:
The student project director (i.e. the main applicant) must submit a brief report (1-2 pages) to UCIRA on how the project was received, how many attended, the impact on the campus community, reviews, and other relevant information. This report should be appropriate for publication as an item in UCIRA promotional material. Please include photographs or other visuals that can be duplicated. Electronic submission is encouraged.

FAQs about Undergraduate Action Research Grants
Do you provide funding for food or beverages?
Yes. You may request up to $100 of funding for food and/or beverages associated with your event if it is appropriate. No alcohol may be purchased with UCIRA funds.

Do you provide retroactive funding?
No, undergraduate Action Research grants are only for upcoming projects. The date of the event must occur after the given notification date to be considered for funding.

What if my group donates some of its proceeds to charity, can we still apply for an award?
Yes, you can. If your event will generate income, please indicate expected revenues on your budget and to whom you plan to donate them. Your home campus may have special regulations in place governing such disbursement of funds. You must check with your home campus to ensure you are able to do so.

How much money can I get for my student project/group?
The maximum amount of an undergraduate Action Research grant is $2,000.

What can I do to improve my application?

1. Write it as a Word document first. Have other people in your student group (or your mom, or your roommate) proofread it. Ask them if they understand what you’ve written and if they would award you a grant based on the application.
2. Write it ahead of time and send it in to us – we’re always happy to look over potential applications and make suggestions for improvement. You can also call us at 805-893-7799 or email info@ucira.ucsb.edu with questions.
3. Look at the Sample Application on our website.

Will my application be saved online?
Yes, although we still recommend that you save a copy of your application as a Word document so that you can reference it easily in the future.

How will I know if my application has been granted funding?
Whether or not your application has been awarded funding, you will be notified by e-mail on or before the appropriate notification date.

What do I have to do if my group receives an undergraduate Action Research grant?
You must use the UCIRA logo in all printed and web material (flyers, posters, programs, websites etc.) related to your funded event. You are also required to complete the feedback form well as solicit feedback from activity participants if you can. You are also responsible for informing us of any major changes in your planned activity (i.e. change of date, time, venue, name).

Can make an appeal if my group doesn’t receive an undergraduate Action Research grant?
Sorry, the decision of the Student committee is final. We cannot consider appeals for funding but you are welcome to apply again in the next round of applications with a revised application.

For more information contact:
UCIRA
6046 HSSB
University of California
Santa Barbara CA 93106-7115
Phone: (805) 893-7799
Fax: (895) 893-4336
Email: hunruh@ucira.ucsb.edu

 

 

 

WE WILL BE REPORTING LIVE FROM THE CAA CONFERENCE FEB 23-25! COME AND SAY HI TO US AT OUR TABLE IN THE BOOK FAIR!

We will be at the Book and Trade Fair Thursday-Saturday 2/23-2//25 at the GYST table.

Hours of operation for the Book and Trade Fair are:

Thursday-Friday: 9AM-6PM

Saturday: 9AM-2:30PM

HERE IS A LINK TO FREE AND OPEN TO THE PUBLIC EVENTS HERE

HERE ARE A COUPLE OF THE MANY FREE EVENTS TO LOOK FORWARD TO -

CAA PANEL

Nancy Popp will be chairing a panel at College Art Association on Saturday, Feb 25th at 2:30p.

This panel will be multi-sited, participation-based, and open to students and the general public in conjunction with OTIS College of Art and Design’s Re/Locating Learning: Public Practices as Art:
Please join us in the West Lobby of the Los Angeles Convention Center; we will be starting the panel in Conference Room 403A.
Performing Space 
Nancy Popp, Sara Daleiden, Janet Owen-Driggs, Matt Driggs, Marie Shurkus, Bill Kelley Jr.

This Open Forms session is a re-envisioning of the relationship between the self and public space in creating a non-dialectical ‘third’ social space. 
Panel participants will collectively explore alternative methods of presentations and conversational forms within the site of the conference panel.  As investigations of time, inter-subjectivity and spatial theories, these forms attempt a re-framing of notions and functions of performance and presentation.  
Panelists will also inquire into the impetus and affects of contemporary performance practice-particularly in terms of the relational space of the city, and related issues of spatial theory, geo-philosophy and the political activation of social space.


I am hoping to use this panel as a way to ‘Occupy” CAA, and open up the restrictive structure of the conference to create a more equitable platform for exchange and discussion.
Looking forward to your participation!
 Nancy Popp
www.nancypopp.com

NATIVE STRATEGIES presents
NOT FOR NOTHING DO WE WAIT

A durational, site-specific dance theatre work
by MAYA GINGERY
As part of: Un-Space Ground: A site specific outdoor visual & performance art event.Saturday, February 25, 2012
12 noon-1 pm
FREE
LA Convention Center West Hall main entrance
@ 1201 South
Figueroa Street, Los Angeles, CA 90015Site-specific dance and performance works are common in Los Angeles and its environs, a city with only a handful of performing venues but generously landscaped in parking lots and abandoned fields. Dancers, choreographers and performance artists have often taken advantage of LA’s vast collection of buildings, alleys, vacant lots, unnamed urban spaces and historic architecture to create site-specific works that are responsive to LA’s urban landscape.On February 25th, from 12 noon to 1 pm, musician, choreographer, performing artist Maya Gingery will present Not for Nothing Do We Wait,  Described as “a dance to the status quo”, it calls on its audience to engage or disengage with its questioning of space and time in an unforgiving landscape of concrete and human frailty.

Featuring Alexa Weir, Jillian Stein, Jos McKain, Ally Voye, Odeya Nini, Amanda Furches, Busy Gangnes, Maya Gingery and violist Kristina Haraldsdottir.More on Un-space Ground and Art in The Public Realm
Call it an “ArtiGras”, this curated site-specific outdoor performance event of 18 performances by a myriad artists will fill an anonymous plaza for an entire hour in front of the LA Convention Center South Hall at 1201 So. Figueroa. The occasion is the 100th National Conference of the College Art Association, and the symposium, organized by artist/writer/educator Jacki Apple is called Art in the Public Realm. All panels and events are free and open to the public.

http://conference.collegeart. org/2012/artspace/

Co-produced by L.A. curator/educator/ artist Deborah Oliver, the founder of Irrational Exhibits and New York artist Ed Woodham, the founder and director of Art in Odd Places (AiOP),  Un-space Ground will be a rare opportunity to see and experience performance art  and site specific durational work up close(not needed: in the round) in an otherwise overlooked site in the heart of LA’s growing downtown urban revival.

Saturday, February 25, 2012, Un Space Ground performances are from12 noon-1 pm at LA Convention Center West Hall main entrance @ 1201 South Figueroa Street, Los Angeles, CA 90015

Convention Center Parking:
The West Hall parking structure is located off LA Live Way, between
11th St. and Pico Blvd. Price is $10 -$12 for the day.

Street Parking:
West on Pico. Right turn on L.A. Live Way . Left turn on west 12th. Go
under freeway and look for street parking or cheap lot.
Walk back to West Hall. Big Blue building.  Follow signs thru parking

PANEL: PARASITISM IN CONTEMPORARY ART: ON ARTISTIC LABOR IN THE NEW ECONOMY

THURSDAY, FEB 23rd 7:30 PM

LOS ANGELES CONVENTION CENTER 403B

with Sarah Wookey,Catherine Sullivan, Derek Conrad Murray, and Mathew Jesse Jackson

OPENING

Sonny Rusha Bjornson and Laura Grover present:

One Pinch of Heartache, Two Cups of Pain.
One Dash of Sunshine, Two Drops of Rain.

An exhibition of new works by Christian Tedeschi and Michael Bizon

Hosted by Fabien Fryns Fine Art

314 N. Crescent Heights Blvd.

Opening Reception: Saturday, February 25th from 6-9pm

CAA Session: “Reclaiming” the Studio as a Site of Production

Saturday, February 25, 2012 – 2:30pm until 5:30pm
  • West Hall Meeting Room 515B, Level 2, LA Convention Center
  • Free and open to the public (?)2:30–5:00 PM“Reclaiming” the Studio as a Site of ProductionChair: Patty Wickman, University of California, Los AngelesMichele Grabner, School of the Art Institute of ChicagoKaren Kleinfelder, California State University, Long BeachAmanda Ross-Ho, independent artist

    Discussant: Doug Harvey, independent artist and writer

International Residency – Black Church Print Studio, Dublin

Open call to International artists
Deadline: 30 March, 2012
Application fee: Euro 20

The Black Church Print Studio would like to invite International artists actively engaged or informed by contemporary printmaking practice to apply for a four-week residency in the Black Church Print Studio, Dublin, to take place in July 2012

The International Residency Programme is an initiative of the Black Church Print Studio established to facilitate contemporary artistic practice in the Studio and to further the professional development of artists by enabling the creation and production of new work, fostering an exchange of ideas and influences, encouraging the sharing of expertise and inspiring new works of art and creative collaborations.

•Emerging, mid-career and established professional artists are invited to apply.
•Selected participants in this programme will receive accommodation, basic materials, studio equipment & facilities usage and technical and administrative support.
•Artists will have access to etching, lithography, screen-printing and relief presses, and to multi-media and digital equipment.
•Travel and material costs are the responsibility of the participating artist.
•This year’s Residency is scheduled for a single four-week term in July 2012.
•The successful resident will be asked to complete two editions of works completed during his/her residency and donate two prints from each to the Studio, one for the Archive Collection and one for fundraising.
•The Resident artists will be required to give a demonstration and seminar during his/her residency.

Applicants must be practicing Printmakers. Irish residents are not eligible.

Further Information about Black Chruch Print Studio
http://www.print.ie/

Read more about the residency:
http://www.print.ie/detail.php?category_id=2&sub_category_1_id=22

Thematic Residencies and Banff Artist in Residence Programs at The Banff Centre, Canada

Call for Applications at The Banff Centre
Application fee: None

ABOUT
Our mission is Inspiring Creativity. In The Banff Centre’s powerful mountain setting in the heart of Banff National Park, exceptional artists and leaders from around the world create and perform new works of art; share skills and knowledge in an interdisciplinary environment; and explore ideas and develop solutions in the arts and leadership.

Arts programs are at the core of The Banff Centre. Programming supports the commissioning and creation of new work by individual artists and arts collectives, and provides resources for collaboration and applied research. Training and professional development at the post-graduate level in more than a dozen art forms including Aboriginal arts, music, theatre, dance, opera, literature, ceramics, print-making, painting, papermaking, photography, sculpture, audio engineering, digital film and video, and new media. Work is showcased in public performance, events, and exhibitions throughout the year, culminating in the annual Banff Summer Arts Festival.

23 Studio Time: Work of the Living Watch
Faculty: Geoffrey Farmer
Program dates: July 30, 2012–August 17, 2012
Application deadline: March 2, 2012
Three weeks, eight talks, and studio time.

This residency will focus on time in the studio while also incorporating walks, conversation, studio visits, and readings as we contemplate the structure of experience. Such study is like hiking up a mountain. As one climbs and becomes aware of wider and wider vistas, it is important to not lose sight of details, at least not the critical ones. We must let go of some, however; life is too short.
http://www.banffcentre.ca/programs/program.aspx?id=1242

In addition to Visual Arts facilities access, Studio Time participants will be invited to attend the public lectures and meet the faculty and participants of the Banff Research in Culture (BRIC) residency, The Retreat: A Position of dOCUMENTA (13).
http://www.banffcentre.ca/programs/program.aspx?id=1210

24 Experimental Comedy Training Camp
Faculty: Michael Portnoy
Guests: Steven M. Johnson, Reggie Watts
Program dates: September 10, 2012–October 26, 2012
Application deadline: April 13, 2012

Rule #1: What you were doing and calling “art” is now called “experimental comedy.”

This residency will include a light study of contemporary humour theory in the fields of psychology, philosophy, and cognitive linguistics as well as a sprint through comedy-writing instructional texts and books on comedy in the visual arts. A weekly experimental comedy club, daily prank calls, and regular “roasts” will occur, where we take existing works of art, ideas, and forms of practice and tweak, skewer, prune and graft them to create new destabilizing chimera. In group sessions, the four main areas of focus will be language/logic, movement/character, scenario/situation, and things which do things.
http://www.banffcentre.ca/programs/program.aspx?id=1218

Banff Artist in Residence (BAIR) Programs
Ongoing opportunities
Banff Artist in Residence programs offer independent periods of study where artists, curators, and other arts professionals are free to experiment and explore. Participants are provided with an individual studio accessible 24 hours a day, as well as use of Visual Arts facilities including printmaking, papermaking, ceramics, sculpture, and photography. BAIR offers short and long-term opportunities to work at a remove from the constraints of everyday life.
http://www.banffcentre.ca/va/programs.mvc#Banff%20Artist%20In%20Residence%20Programs
For more information and to apply:
Office of the Registrar
Email: arts_info@banffcentre.ca
Phone: 403.762.6180 or 1.800.565.9989
www.banffcentre.ca/va

Kingsgate Workshops Trust Emerging Artists Residency 2012

Kingsgate Workshops Trust Emerging Artists Residency 2012
Deadline for applications: Friday 16th March 2012, 6pm
Application fee: none

Kingsgate Workshops Trust is inviting applications for its Emerging Artists Residency 2012.

Kingsgate Emerging Artists Residency provides 3 recently graduated artists and craftspeople with a subsidised studio and programme of support.

Click below for more information and for link to application.

www.kingsgateworkshops.org.uk/education.htm

Each application requires

1. Completed application form
2. CV
3. CD with 10 images of your work – For email applications please submit 10 jpeg images 72dpi no more than 300kb in size per image

*Please note this residency is for a studio only, it is expected that recipients will be London based and should provide their own accommodation.

Deadline for application is Friday 16th March 2012, 6pm.

Open Call – still space for Spring and Fall 2012 at Nes Artist Residency Iceland

Open call to spend your spring or autumn in northern Iceland.

The Nes artists residency program in Northern Iceland is please to announce that we still have space available for the spring and autumn of 2012.

Please consider applying soon as space is limited.

Applications to Nes Artist Residency may be submitted at any time (open call). The residency is for monthly periods (from the beginning of the month to the end of the month) ranging from 1-6 months. Applications will be reviewed and answered within a week via email.

To submit an application, please fill out the application form and send the following to application(at)neslist.is:
- A curriculum vitae Short project description 500 words max
- Four work samples as photographs, text samples or links to videos

Email subject line: First choice month(s) and year- Your Name- “Application” ie “March, April, May 2013- John Doe- Application” or “April 2013- Jane Doe- Application“)

Add nes(at)neslist.is to your address book

Submit your entire application materials as one .pdf document

Galeria In The Garden Apartments

Deadline: Open call

Galeria In The Garden Apartments

Location- Bulgaria

No application deadline / Open call

Residency starts- 26/03/2012

Residency ends- 11/11/2012

More information
http://www.galeria.sku.to/index.php?option=com_content&view=article&id=8&Itemid=7

Galeria In The Garden invites artists in the garden apartments

The new build private apartments are spacious and  distributed around a large landscaped garden. Galeria In The Garden welcomes up to 2 artists at a time (4 if shared) starting from end of March 2012.  The apartments provide excellent living and working condition for a weekend, week or month (longer residencies by arrangement).

Upcoming event for May – festival of art schools and fine arts academy.

The apartment in the city center on walking distance to the old city and the park is available all year around.

Work Exchange Residency at La Ceiba Gráfica, Mexico

Deadline: 15/04/2012

inviting applicants for a residency and work exchange program, lasting between two and four months.

La Ceiba Gráfica printmaking center, located in a beautiful hacienda near Jalapa, Mexico, invites applicants for a residency and work exchange program, lasting between two and four months.

The program offers free accommodation at La Ceiba Gráfica in exchange for daily tasks and assistance in the workshops. The program is aimed especially at students and recent graduates with a degree related to the visual arts, specializing in printmaking; we also encourage printmaking technicians in training to apply. Applicants must be interested in developing their own projects or in improving their lithographic, etching, and woodcut skills. The exchange may last between two months and four months.

Exchange of work:

La Ceiba Gráfica offers to waive accommodation and workshop fees in order for the applicant to be able to undertake a project related to his or her artistic education within the field of printmaking.

In return, the resident must attend the workshops for four hours daily, from Monday to Friday, as an assistant, as well as carrying out tasks in the residency area, such as welcoming new residents and attending to their needs outside of office hours.

All other costs generated by the residency must be covered by the applicant, including but not limited to: transport, food and production materials.

Requirements:

Applicants must:

-       Be engaged in visual arts studies involving printmaking;

-       Or have graduated in this field no more than four years ago;

-       For workshop technicians, have at least two years of experience as printmaking assistants;

-       Present a personal project in which are specified: objectives, specific goals, justification, methodology and a schedule of activities;

-       Be responsible and ready to assist others;

-       Be more than 22 years old;

-       Speak an acceptable level of Spanish.

Please attach to your application the following documents:

-       Fill in the application form;

-       Cover letter

-       Resume

-       Samples of work / Portfolio

-       Project outline

-       University certificate of studies or a letter from the person in charge of the workshop confirming a minimum of two years’ experience.

Selection

Successful applicants will be chosen through an evaluation undertaken by La Ceiba Gráfica’s Board of Directors.

Those selected will have to sign a letter in which they commit themselves to meeting the goals agreed between the Directive Board and the candidate.

If you are interested, please contact us at:

ceibagrafica@gmail.com

Or by phone: (+52) 228 816 9330.

Office open Monday to Friday, from 10:00 am to 3:00 pm

Download:
la_ceiba_grafica_-_call_for_application_for_residency.pdf
Size: 353 KB

Kingsgate Workshops Trust–Emerging Artists Residency in London

(Deadline: March 16th, 2012)


Kingsgate Workshops Trust is inviting applications for its Emerging Artists Residency 2012.
Kingsgate Emerging Artists Residency provides 3 recently graduated artists and craftspeople with a
subsidized studio and programme of support. Click below for more information and for link to application.
www.kingsgateworkshops.org.uk/education.html
Each application requires
1. Completed application form
2. CV
3. CD with 10 images of your work – For email applications please submit 10 jpeg images
72dpi no more than 300kb in size per image *Please note this residency is for a studio only,
it is expected that recipients will be London based and should provide their own accommodation.
Deadline for application is Friday 16th March 2012, 6pm.
Kingsgate is located in North West London. NW6 2JG

Archie Bray Foundation to award 10 $5000 fellowships & 10 short-term summer scholarships!

(Deadline: March 1st, 2012)

The Bray will be awarding ten $5,000 fellowships along with ten short-term summer scholarships in 2012 and 2013!

The Bray program is minimally structured, with no formal critiques or syllabi. Resident artists are expected to be self-motivated and help out with various tasks around the Bray. Residents meet as a group once a month to discuss upcoming events and issues that need to be addressed.

Each resident recieves a free studio space and 24 hour access to state of the art firing facilities and equipment. Visit the Resident Facilites page to learn more.

Resident Artist expenses include the cost of materials and firing at the Bray. Residents are also responsible for their own housing and living expenses.

Costs for firings are kept as low as possible, and are dependant on the kiln size and firing temperature. Fees range from $4 for a small electric test kiln to up to $500 for a six-day anagama wood kiln firing. Materials can be purchased at the Bray’s Clay Business at discounted prices.

There is no on-site housing, and residents make their own living arrangements. Affordable housing can be found in Helena: apartments rent for $400 and up, rooms in private homes start at about $200. Most residents find it necessary to have a car.

Some residents can meet their expenses by selling their work in the Bray galleries. Others find part-time jobs in Helena to help with expenses. There are opportunities for resident artists to teach community classes, which provides teaching experience and some income.

Fellowships for year-long residents and scholarships for short-term summer residents are awarded annually. Visit the Fellowships & Scholarships page to learn about the financial opportunities available.

Applying:

All applications for the 2012–2013 Archie Bray Artist in Resident program will be accepted online. By following the link at the bottom of this page you will be taken to Slideroom.com which will allow you to register and upload your images.

2012 Residency Options:

  1. Full-time Resident with/without Fellowship (1-2 years)
    ** Please include a letter of intent and check the appropriate box on our application form
    Click here for more information on fellowships.
  2. Short-term Summer Resident between June and October (2-4 months)
  3. Short-term Resident between October and June (1-3 months)

When applying please submit the following information:

  1. Application form
  2. 20 digital images of your recent work submitted as jpgs. For good image quality and a fast upload, your image files must be sized around 1800 x 1800 pixels at 72 dpi (approximately 6″ x 6″ at 300 dpi). Please do not submit images smaller than this requirement.
  3. Image list including title of piece, year made, materials, dimensions
  4. A brief artist’s statement
  5. Résumé
  6. Contact information of 3 people who can speak to your qualifications as a potential resident. List the name, affiliation, phone number, and email address. Reference letters will not be accepted.
  7. Letter of intent.
  8. $35 USD non refundable application fee.
    **When applying online once you choose the Submit Portfolio button you will be asked for your payment by credit card. We except all major credit cards.

Questions about your application?

For technical support please contact support@slideroom.com
For questions about submission information please contact rachel@archiebray.org

Your completed application must be received on or before March 1, 2012.

http://www.archiebray.org/residence_program/application.html

In-Definite Arts Call for Facilitators / Artist Residencies, Calgary

( Deadline: Feb 29, 2012)

In-Definite Arts’ Artist Residency Program is designed to connect professional artists with persons with disabilities, offering studio enrichment that contributes to the growth and creative exploration of the IDAS centre. For the visiting artist, this program provides unique opportunities to take part in the social life of the IDAS community by encouraging shared ideas, expression and discourse.

Call for Expressions of Interest: In-Definite Arts is looking to expand its studio curricula, and invites applications from all creative and skilled individuals interested in working with persons with disabilities. Artists are invited to lead short-term, collegial workshops according to their discipline and cultural practice, which may include the following areas of study: drawing and painting, ceramics, fibre, glass, jewellery and metals, photography, sculpture and/or digital technologies. Preference is given to those applicants whose primary media differs from the creative arts already offered at IDAS.

Term: Residencies will run for a period of two to four weeks during 2012, depending on the needs and practice of each applicant.

Responsibilities: Applicants must complete an application form detailing all relevant experience as well as a brief outline of their proposed workshop, specifying their area of expertise. A cover letter should also be submitted outlining why the applicant wishes to work with In-Definite Arts, and what they feel they can contribute to IDAS’ studio programming.

Short-listed applicants will be asked to participate in an interview, and successful applicants will be required to develop a two to four week curricula and budget.

Qualifications: Resident artists should be able to demonstrate specialized training in their field, at least 3 years commitment to studio work and a history of public presentation or publication.

Application: Deadline for submissions is February 29, 2012. Applications are welcome by email or in person:

In-Definite Arts Society ∙
8038 Fairmount Drive SE ∙
Calgary AB T2H 0Y1
Tel: (403) 253-3174 ∙
Fax: (403) 255-2234 ∙
Email: ida@indefinitearts.com

Art in the Park Artist Residency: Ivvavik 2012, Yukon

Application deadline: February 20, 2012

Art in the Park: Ivvavik is a unique artist-in-residence program hosted by Parks Canada in Ivvavik National Park on the Yukon North Slope. Artists fly in to a remote base camp nestled in the British Mountains, to be inspired by an ancient and rugged arctic landscape. People have traveled in this part of the Inuvialuit Settlement Region for at least 8,000 years. Their voices echo in the landscape and the stories of their descendents.

Mountain views and incredible wildlife will awaken your creativity – on the sundeck at Sheep Creek, on short walks near Base Camp, or on longer guided hikes under the rich orange glow of the midnight sun. The Base Camp provides a comfortable and safe back country experience. Air transportation to Ivvavik National Park and food in the park is provided.

Art in the Park: Ivvavik is open to professional and aspiring artists. Beneficiaries of the Inuvialuit Final Agreement are encouraged to apply.

For detailed information and an application package, download the printable pdf files below. For assistance, send an email with “Art in the Park” in the subject line to: to:inuvik.info@pc.gc.ca or call 1-867-777-8800.

Art in the Park: Ivvavik will occur June 15-23, 2012

PCR pontlevoy residencies / 2012

Pontlevoy France
apply by 2.20.12 and the two week residency rate will be reduced by 100.00

Applications due March 1 2012
Join us in Pontlevoy France this summer for an exciting new residency opportunity.This year our residency program will partner with GYST- Get Your SH*@ Together, a California based organization that helps artist take their studio practice to the next level. The residency program offers space and time for individual or group exploration of new ideas and forms of expression in an inclusive international community. The GYST workshop and software will teach artist how to move their practice to a more professional level.
www.Pontres.org                                                      www.GYST.com

CDP RESEARCH GRANTS AVAILABLE

Grants Available for Researchers Utilizing Data from the California Cultural Data Project

The California Cultural Data Project<http://www.cacultur aldata.org/ home.aspx> (California CDP) was launched in 2008 as an online management tool designed to strengthen California’s arts and cultural organizations. Arts and cultural funders and others supported it as a way to gather information on the state’s cultural field and measure the impact of the arts and culture in ways that had not been explored previously. Now that the California CDP has been in place, the California CPD Working Group (a team of arts and culture funders and others) seeks California based organizations to utilize CDP information to analyze the arts and culture sector of our state.

This grant opportunity was created to inspire the use of CDP data by California based organizations to answer novel research questions that have not previously been explored with the referenced dataset(s). Applications are due by March 30, 2012.

The Working Group welcomes applications that represent a broad range of research questions. Some characteristics can include, but are not limited to, the following:

* Research questions that address activity and impact of the arts and culture sector statewide, regionally or locally.
* The California CDP Working Group expects the results of your research to be available for public dissemination, but if that is not your desire, please provide the reasons in your project narrative.
* With CDP data featured as a significant source for the proposed research, projects that incorporate other, credible data sources are also encouraged.

With available funds of $47,000, the Working Group aims to support as many projects as possible. Applicant requests should not exceed $10,000. Grants do not require matching funds; however, applicants that are able to provide matching funds will be reviewed favorably. Applicants must be nonprofit organizations with evidence of tax-exempt 501(c)(3) status or units of state or local government, and be located in or primarily serving the residents of California.

For more information, see the full Research Grant Guidelines<http://www.cac. ca.gov/programs/ cdp_research. php>. Applications must be postmarked by March 30, 2012. Staff from the California Arts Council is available on a limited basis to offer guidance and clarification for potential proposals. Questions can be directed to Rob Lautz at (916) 324-6617 or rlautz@cac.ca. gov, or to Scott Heckes at (916) 322-6376 or sheckes@cac. ca.gov. Be sure to contact staff far enough ahead of the deadline to ensure you can be accommodated.

The California Cultural Data Project Working Group is comprised of representatives from the following institutions: California Arts Council<http://www.cac. ca.gov/index. php>, Los Angeles County Arts Commission<http://www.lacounty arts.org/>, The James Irvine Foundation<http://irvine. org/>, The William and Flora Hewlett Foundation<http://www.hewlett. org/>, The Boeing Company, and City of San Diego Commission for Arts and Culture<http://www.sandiego .gov/arts- culture/>.

U.S. Embassy Slovenia Cultural Grants Program

Promoting cultural and artistic cooperation, collaboration and exchange between the United States and Slovenia
Deadlines:  March 1 and August 15, 2012
Application fee: None

The Public Affairs Section of the United States Embassy in Ljubljana represents the Embassy vis-a-vis the Government of Slovenia in official business related to culture; promotes the values and culture of American society; conducts information and cultural programs on behalf of the U.S. Government, presenting U.S. history, society, art and culture in all of its diversity to overseas audiences; and administers United States government involvement in cultural activities between Slovenia and the United States.

Each year, the Public Affairs Section devotes a certain amount of funding towards encouraging and promoting cultural and artistic cooperation, collaboration and exchange between the United States and Slovenia.

Application deadlines (for each fiscal year, which runs from October 1 to September 30):

• March 1 for projects beginning from May through October of the same year;
• August 15 for projects beginning in October, November or December of the same year, or in January, February, March or April of the following year.

http://slovenia.usembassy.gov/cultural_grants.html

How to Apply for a Grant

You will need to submit a completed application form, with original signature on the last page.

Please send your entire proposal package (completed application form with an original signature on the last page, as well as Proposal Narrative) to the postal address below. You should also send one (1) copy to the e-mail address below.

Grant proposals should include all of the information requested in the Application Guidelines. Proposals will not be considered until all information is received. Proposals should be completed in English, or accompanied by an English translation. Supporting documents may be in Slovenian.
It is the applicant´s responsibility to fill in all sections of the application form, provide the written narrative, and submit the complete package by the posted deadline, in order for the application to be considered. If you are not sure if you have successfully submitted your application, please contact us at For an application to be deemed complete, full support material (including press kit, photos, videos, CDs and/or DVDs) must be submitted by mail to the address listed above by the appropriate deadline.

What kind of projects are usually funded?

The Embassy has historically been most interested in projects relating to:
• cultural exchanges;
• artistic and cultural performances;
• exhibitions;
• workshops;
• lectures;
• readings; or
• cultural projects whose aim is to promote and deepen the understanding and appreciation of American culture in Slovenia.

What is the maximum amount of a grant?

The maximum available for a cultural grant is $10,000, although most grants average between $3,000-$5,000. To ensure speedy review and processing, please provide a detailed cost breakdown for the entire project (not just the portion for which you are requesting funding), including specific categories for which the funds, if provided, will be used. Budgets must be calculated in U.S. dollars.

IV. GENERAL ELIGIBILITY AND CRITERIA FOR ALL APPLICATIONS

The Public Affairs Office of the U.S. Embassy provides grants to American or Slovene groups and individuals for the promotion of the American culture abroad. These are governed by general eligibility guidelines and criteria outlined below, which supersede all previous ones.

Applications will be accepted from professional artists and professionals in the cultural field who are American or Slovene citizens or residents and from not-for-profit arts or cultural organizations or institutions registered in the United States of or Slovenia. Special consideration in regards to this last requirement may be given to applications from younger American artists.

The evaluation of applications will be based on artistic quality, fiscal responsibility, cost-effectiveness, American content, length and variety of the proposed project and the relevance of the locations to U.S. current foreign and trade policy and, finally, the ability of the applicant to undertake an international project.

Projects must also meet the following basic conditions:

• demonstrated high standards of professional artistic quality;
• interest abroad from reputable and credible presenters or organizations. All applications must include basic information on these presenters and their relevance to future projects;
• demonstrated cost-effectiveness in terms of the number of performances, planning, itinerary and over-all budget;
• realistic revenues generated from fees paid to the artist by the local presenters on top of any box office split or contribution to local expenses; and
• all applications must include a brief history of the artist or company and information on the proposed project including repertoire. This information must be supplied no matter how many other applications have been filed previously. Applications not containing this information will be considered incomplete.

Conformity with General Guidelines and Criteria and basic conditions does not guarantee funding.

Public Affairs Section
U.S. Embassy Ljubljana
Attn: Mateja Jurič
Prešernova 31
1000 Ljubljana

You should also send one (1) copy to the following e-mail address: juricm@state.gov.

CALL FOR ARTISTS:

CLAREMONT GRADUATE UNIVERSITY AND VPAM PRESENT

*RE:PRESENT L.A.*
*An innovative, multimedia exhibition focused on present Los Angeles and
its cultural, civic, and community practices.*

EXHIBITION INFORMATION
We are a collaborative of Claremont Graduate University (CGU) invited to
guest curate at the Vincent Price Art Museum’s Community Gallery (VPAM) at
East Los Angeles Community College (ELACC), a space dedicated to exhibiting
thoughtful, innovative, and culturally diverse exhibitions. The* re:present
L.A. exhibition aims to explore, challenge, and depict the multiple
representations of Los Angeles that responds to the present *social
landscapes of city. *We are seeking art work that engages the city in this
fashion, highlighting various portrayals of Los Angeles including but not
limited to, cultural, civic and community practices.* *re:present L.A. *is
curated by the graduate students of CGU’s Arts Management, Cultural
Studies, and Public Policy programs.

ELIGIBILITY:
All forms of media are welcome. Open to all artists living in Los Angeles
County, and neighboring counties in the greater L.A. area.

ENTRY REQUIREMENTS:
Artists are to submit (2-3) digital jpeg images at 72 dpi, a website to an
image page, OR youtube link of the work they would like to show via email
at representingLA. exhibition@ gmail.com *no later than Monday, February* *27
th by 5 pm.*

All forms of media are welcomed.

Artists must also send:
· Artist’s statement – please describe the nature of work
submitted (300 words max)
· Resume or CV – limit to (1) page, please include contact
information
· Medium and dimensions of work
· Price of Work (if artwork is for sale)
· Value of work (for insurance purposes)

CALENDAR:

*Online Submission Deadline February 27, 2012, by 5 pm*

Artists Notified of Accepted Work March 2, 2012
Exhibition Dates May 3 through July 27, 2012
Opening Reception May 3, 2012

DELIVERY OF ACCEPTED WORK:
If selected, artists must deliver work to VPAM the week of April 2-9 during
regular museum hours. All work must be properly framed and/ or ready to
hang. Please note that any special installation needs MUST be indicated
along with dimensions of work and medium. Work must be unwrapped upon
delivery—no packing materials will be stored. Please note that artwork
containing non-organic materials cannot be displayed (i.e. fruits, grains,
living plants, etc.)

*EXHIBITION SALES:*
Accepted artists will have the option to exhibit work for sale. All
proceeds from exhibition sales will go directly to the artist.

VPAM is located at 1301 Avenida Cesar Chavez, Monterey Park, CA 91754

Questions? Contact Rebecca Beltran or Pablo Alvarez at
representingLA. exhibition@ gmail.com

CALL FOR RADICALLY RECEPTIVE BEINGS:

The People’s Microphony Camerata (PMC) seeks participants for an experimental choir exploring the emergent phenomena of the People’s Michrophone (Mic) and ideas of radical receptivity through sound, voice, and the body. If you know how to sigh, grumble and laugh, then you have an expressive voice and something to contribute.

Rehearsals will begin with exercises and improvisations to build vocal agility and develop our expressive vocabulary as a group. Each meeting will unveil a new piece, written specifically for our group by composers, artists, poets, and activists both local and international who were inspired by the People’s Mic. The most successful of these pieces we will premiere and record for special performance broadcast on April 20th.

Participants must commit to attending each rehearsal, recording session and final presentations. Rehearsals will take place on: April 13 7-9pm, 14 10am-4pm, 15 10am-1pm rehearsal, 2pm recording.  After this intensive session, the choir will go on to plan other performance opportunities, including a May Day Michrophony.

All voices are welcome; no auditions.

Reconnect with your voice, expand your sonic awareness, experience community in Los Angeles and lend your voice to an international project of expressive liberation!

Interested in joining?  Please email:
elanamann@gmail.com

Call for Compositions/Scores/Directions/Music
TO BE DISTRIBUTED WIDELY
Calling out to artists, musicians and writers of all kinds: The People’s Microphony Camerata (PMC), based in Los Angeles, CA, is seeking pieces that explore the human microphone technology developed by the Occupy movement. Beyond projecting an individual’s voice further than it can resonate on its own, The People’s Mic has implications for all of the bodies in its vicinity. It energizes listeners in ways the microphone or megaphone cannot by making listening active, vocal, and embodied.

We encourage you to consider these and other questions as you write: What are the implications—personal and social—of repeating someone else’s utterance out loud? How does the act of repetition through different and multiple bodies affect meaning? What happens when vocal sounds outside of language are introduced? Where are the sonic, architectural, dramatic and social limits of the People’s Mic?
All media are welcome. Scores can relate more or less to music, theater, performativity, space, context, and/or visual elements, etc., but must involve multiple voices. Non-traditional graphic or text-based scores preferred. Selected pieces will be performed at public occupation-concerts and all submissions will be available through the web and an eventual publication. Email questions and/or submissions to: elanamann@gmail.com.

About the PMC:
The People’s Microphony Camerata (PMC), was founded in 2012 by ARLA collective members Elana Mann and Juliana Snapper inspired by the Occupy Movement.  For more information about ARLA visit: http://blog.art21.org/2012/01/04/radical-receptivities/.

Call for Proposals 2013 – Kunsthalle Exnergasse, Vienna

WUK Exhibtion Proposals
Deadline: March 01, 2012
Application fee: None

Kunsthalle Exnergasse invites you to submit exhibition proposals for the year 2013. Corresponding exhibition programmes are decided in a two-step application and review process upon by an Advisory Panel. Submissions for solo exhibitions will not be reviewed. We only accept online applications.

http://www.wuk.at/language/en-US/WUK/Kunst/Kunsthalle_Exnergasse/Ausschreibung

Please read carefully the guidelines regarding the application and review process and the available facilities of Kunsthalle Exnergasse before submitting your proposal.

STEP 1 = Open Call for exhibition proposals
[DEADLINE FOR ALL APPLICATIONS: March 01, 2012]
[Online Application Form: available February 07 – March 01, 2012]

Submitted proposals are limited to a text length of 4.500 characters (including blanks) maximum and should emphasize and explain the idea behind your exhibition concept.
Furthermore we kindly ask you to visualize your project proposal or idea by producing/designing one exemplary image (photo, sketch, collage, etc.) of approx. 20×30 cm size that´s to be uploaded as PDF-file.
To evaluate the proposals we also ask for short CVs of the person/s submitting the project (800 characters including blanks maximum) as well as of the proposed artists and participants in the project (1.200 characters including blanks maximum). Give us the most information you can, but since there is a word limit and a limited image area, try to be brief and concise in your descriptions and arguments. Note: do not send catalogues, DVDs, brochures or folders. These extra materials will not be considered.

The advisory board will review the applications and pre-select a short list of up to 20 project proposals for step 2.
Through your own user account you can edit your application. Once you have submitted the application, you will not be able to make any changes, or resubmit. Incomplete application forms will not be considered. You will receive an e-mail confirmation of your successful submission. If you do not, please send an email to exhibition.proposal[@]wuk.at.
Please do not call or email to inquire about results. Final results will be emailed to all submitters. No calls please.

STEP 2
These pre-selected projects will be invited to submit a more developed proposal including additional information on the artists and their works. Kunsthalle Exnergasse and an advisory board will then make the final selection of projects. The selected projects will be presented at Kunsthalle Exnergasse in 2013. All projects in step 2 will be informed about the results via email.

KUNSTHALLE EXNERGASSE, WUK,
Währinger Straße 59
1090 Wien
e-mail: kunsthalle.exnergasse[@]wuk.at
http://kunsthalleexnergasse.wuk.at/

SUPERNORMAL Festival 2012 Call for Proposals

SUPERNORMAL 2012 call for artist proposals
a unique artist-led event – 10-12th August 2012
Deadline for Proposals: 31st March 2012

www.supernormalfestival.co.uk

Now in it’s third year, (having evolved from Braziers International Artists’Workshop), SUPERNORMAL offers a platform for visual arts and artists of all disciplines to draw inspiration from the event’s unique ethos and setting. An opportunity for dialogue, exchange and exploration of art-focused practice and action in an experimental environment where risks can be taken and leaps of imagination can occur. We encourage participation in the festival as both artist and spectator to give the arts a wider audience and artists a greater challenge outside the conventional gallery space – putting the arts at the heart of the festival.

Proposals & Selection Process

Proposals will go through a selection process and will be judged on the quality of the idea, along with an understanding of the context and audience of Supernormal. As an event that promotes an amalgam of experimental art and music, we will be looking for work that may offer a different viewing or participatory experience – that engages and inspires thought, whether challenging or easily accessible. The work should show understanding of the audience for an event that promotes experimental art and music and work that breaks new ground.

Supernormal welcomes proposals from artists, performers and groups as detailed above. Please include an outline of your idea, work or project in as much detail as possible along with any supporting images and links. (up to 750 words)

Funding & Resources

Supernormal is a not-for-profit event with an invisible budget and limited resources, although we are currently working on funding proposals to assist in the production of work. We would encourage artists to source outside funding where possible. We can provide artists with guest passes to the event, food and drinks, promotion of projects and profiles.

Things to consider
-How you plan to execute the work
-How much time will you need on site
-What materials and resources you will need
-Consideration of the weather
-Location of work on site (would you need a pre-visit)
-Is it self-supporting  -Does it involve participation
-How you will facilitate the work during the event

Please send proposals to:
studio1-1.gallery@virgin.net
with SUPERNORMAL ARTIST PROPOSAL in subject bar

We look forward to hearing your ideas!

Supernormal

www.supernormalfestival.co.uk

Part/Time Administrative Assistant POSITION AVAILABLE IMMEDIATELY

A career in Arts Administration
Work in a creative environment at midsize non-profit art’s education organization. Administrative Assistant Duties include but not limited to: filing, composing letters, conducting research, keep database and social network sites up to date, grant preparation, answer phones and assist coordinating activities. Advise the Artistic Director and Program Coordinator about special site requirements, Supervise the establishment and maintenance of the following program instruments: Master Programming Calendar; staff’s weekly prioritized Work Plans; current Resource Files on available artists; current contracts and program curriculum, Maintain familiarity with site facilities and site participants. Help with organizational events and PR on as need basis. Attend art events to support and recruit artists and community/school sites. Must communicate with artists, teachers, and the public. Typing a minimum of 55 words per min. knowledge of office protocol a must. Candidate must be a reliable, honest, energetic, detailed-oriented, a self-starter, have strong verbal, and written skills, good time-management, the ability to multi-task and willing to travel to sites if requested. The candidate must have exceptional computer skills. Must know Mac and File Maker Pro, Constant contact, Photoshop, are required. A BA in art administration or worked in a comparable industry a plus. Must have valid license and car). This part time position may move into a full time position
Starting Salary 14 a hr. with experience Midtown L.A.
E-mail resume and cover letter of interest to: info@theatreofheart s.org (NO calls please check website for more information. Serious applicants need only apply.

Japanese American National Museum Store Associate

Regular Part-Time/ Non-Exempt

The Japanese American National Museum is a new model for American museums
dedicated to transforming lives and strengthening community through the
exploration of diverse histories, arts and cultures. The National Museum has
an opening for a part-time Store Associate for up to 15 hours per week on
Thursdays and Saturdays. Will work with the Museum Store Supervisor to
provide good customer service in the store and on the phone, and be
responsible for promoting , processing sales and catalog orders in a timely
fashion.

In additional to other administrative duties the Store Associate will
provide occasional support to Visitor Services and assist Programs staff.

High School Diploma required and minimum six months of customer service
experience in a retail environment. Previous experience working in a
non-profit and collaborating with volunteers a plus. Must be able to provide
courteous and effective service to co-workers, volunteers and public.
Professional telephone manner and skills for taking customer
orders/answering inquiries required. Ability to handle and pack merchandise
(requires some heavy lifting). Adept with handling cash, credit cards and
processing sales. Ability to work well under pressure to meet deadlines and
have excellent organizational skills with attention to detail. Computer
literate, Internet savvy, experience with MS Office and familiarity with
point of sale system (CAM data), VISTA and Raiser’s Edge preferred.
Knowledge of Japanese American /Asian American History and culture a plus.
Requires weekend and some evening hours. Starting $9.00/hr DOE. Requires
completion of criminal background check. Visit <http://www.janm. org/>
www.janm.org to view full job description and application. EOE.

Please submit cover letter, application and resume with 2 references and
recommendations to:

Japanese American National Museum
Attn: Human Resources
Re: Store Associate PT
100 N. Central Ave
Los Angeles, CA 90012
Fax (213) 830-5673
E-mail: hr@janm.org

Open Until Filled, apply asap

Projects and Logistics Coordinator

International fine art transport company is seeking qualified applicants for full-time Projects and Logistics Coordinator position in the Museums & Exhibitions department of their Los Angeles operation. Museums experience required; logistics/shipping background a plus. The position would involve working closely within a specialist team handling museum exhibitions and loans.

Salary and benefits commensurate with experience.

All interested applicants can send a cover letter and resume to Jason Bailer Losh , Dietl International Los Angeles Operations Manager at Jlosh@dietl. com

 

Info:

1 of a kind, please allow for variation in the burlap.  Some bags are printed with coffee beans, some are plain burlap, and some have the occasional wild colored thread woven into them.

Printed on repurposed coffee bean sacks donated to us from our friends at the Conservatory for Coffee, Tea & Cocoa in Culver City

Lined with thrifted or remnant fabric — the bag in the photo is lined with block printed Ghanian fabric which was used to make curtains, other bags are lined with beach saris, table cloths and bedlinens.

17 x 14 inches, with a pocket that is big enough to hold keys, phones and other assorted small items.

Big enough and strong enough to support the weight of your laptop or hefty groceries

Proceeds will go towards hiring a web developer, conference attendence costs, and other operational costs to keep the LAARS office up and running.

Price: $20 plus shipping, please allow for 3-7 business days to receive your bag.

You may purchase your bag through Paypal, using your own Paypal account, debit card or credit card.

To buy your LAARS tote, click here

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